CULTURAL EXPENDITURE OF THOSE WHO ENTER (OR EXIT) UNEMPLOYMENT

By Javier Gardeazabal & Eduardo Polo-Muro

The 2003 Spanish Academy award winning film Mondays in the sun portraits the daily lives of three men who were laid off from the local shipyard. Directed by Fernando León de Aranoa and starring Javier Bardem, Luis Tosar and José Ángel Egido, this social drama gem exemplifies how unemployment can affect individuals and their families. In our paper “Cultural expenditure of those who enter (or exit) unemployment”, we assess the impact of transitions from employment to unemployment on household expenditure on cultural goods and services.

MUSIC PREFERENCES AS AN INSTRUMENT OF EMOTIONAL SELF-REGULATION ALONG THE BUSINESS CYCLE

By Juan de Lucio & Marco Palomeque

We listen to music every day. It is our companion when we travel and enhances the emotions of our favourite movie scenes. Whilst it may act as the life and soul of a party, music can also accompany us in our gloomier moments. At any point of time, we choose what music matches our mood. In this study, we explore how musical preferences change when macroeconomic conditions change. The results show that musical preferences adapt to smooth out fluctuations in social welfare (SWB) related to business cycles; for example, society prefers positive music in recessions.

URBAN CULTURAL VIBRANCY AS A CONTRIBUTOR TO LOCAL DEVELOPMENT AND THE FUNDAMENTAL ROLE OF TERRITORIAL CONTEXT CONDITIONS

By Elisa Panzera

Heritage in European cities is recognized and appreciated worldwide for its uniqueness and beauty. Urban heritage can stimulate local economic conditions in addition to carrying social, historical, and cultural values. This nexus of economic development and cultural valuation can be influenced and strengthen by territorial characteristics such as a creative environment and a cosmopolitan identity. 

10th EWACE 2022: CELEBRATING GROWTH AND DIVERSITY

By Association for Cultural Economics Poland

The European Workshop on Applied Cultural Economics (EWACE) returns to northern Italy to celebrate its 10th anniversary. Originally organised by Roberto Zanola (University of Eastern Piedmont) and Antonello Eugenio Scorcu (University of Bologna), this time taking place in Torino University 8 – 10 September 2022. Over 50 presentations, increasingly with multiple authors and with a balanced gender representation, evidence an active, creative, and engaged community of specialized economists worldwide.

UNDERSTANDING URBAN ALTERNATIVE CULTURAL PRODUCTION

By Enrico Bertacchini and Francesco Puletti

From the ashes of the creative city paradigm, there is a growing awareness of the urban creative economy as a complex adaptive system of intertwined actors and institutions. Yet, especially in the European context, little attention has been given to understanding informal and alternative art spaces and venues that contribute to the vibrancy of the urban cultural scene.

HOW TICKET PRICES TO SWEDISH OPERA HOUSES AND SYMPHONY ORCHESTRAS HAVE BECOME INCREASINGLY EXCLUSIVE

By Staffan Albinsson

Ambitions for social inclusion have guided the publicly funded opera houses and symphony orchestras since the early twentieth century. However, this explicit policy goal has not influenced ticket prices during the last four decades. The successive ticket price increases have resulted in a situation where only the better off attend the performances.